The Four Note Opera

Fri 15 Mar - Sun 17 Mar
15 Mar
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17 Mar

Inspired by Luigi Pirandello’s meta-theatre, composer Tom Johnson wrote a piece for a group of singers who have only four notes at their disposal (A, B, D and E) and couldn’t sing about anything other than the opera they are now performing in. Of course, such is an impossible situation: the opera ends in utter rigidity.

Fifty years ago, the Four Note Opera was a mocking reflection on opera norms. What about now? Is the play itself out of date, or is the criticism still relevant? How much influence do today’s singers have over the roles they play? And how much influence do opera directors have over their own creative process?